Showing posts with label warren ellis. Show all posts
Showing posts with label warren ellis. Show all posts

Sunday, April 16, 2017

The One True Bond

Warren Ellis & Jason Masters “James Bond, Vol 2: Eidolon” (Dynamite Entertainment, 2017)


I loved the first volume of Warren Ellis’ James Bond. And I’m happy to say that the second volume is even better.

With the defeat of SPECTRE, Bond is at home and Ellis turns to face the inevitable corruption and rot at the core of the Empire.

Everything I liked about the first volume is still here: banter, minimalist yet powerful storytelling, a commitment to Bond as character.

One thing that has to be mentioned is the stellar job by Jason Masters on this series. He does a great job of the sort of contemporary minimalist storytelling you see on several of the lauded Image books.

This is another great volume in this series.  Keep reading them as long as Ellis keeps writing them!

Wednesday, June 15, 2016

I Remember When You Were Charming

Warren Ellis & Jason Masters “James Bond Vol 1: VARGR” (Dynamite, 2016)


The Bond franchise is really weird.  I’ve read the books by Fleming.  I’ve seen most of the movies. I’ve never been a big fan, but it’s always been there for most of my life. 

So I wanted to read this eARC to see what a talented comics team would do with the property.

Those of you expecting some crazy deconstruction will be thoroughly disappointed.  Just go read Casanova.  This is more about Ellis going right for the core of the series.

We have Bond being called to work on a case after another agent has been killed.  There’s a villain who absolutely fits the mold of “Bond villain”, complete with lair, crazy plan, and vicious henchmen. Yes, one of the henchmen is a beautiful (but deadly woman).

Ellis deals with some of the problematic issues head on.  Staff members are now people of color.  Some of Bond’s more precious quirks are lamp shaded (get a real gun, Mr. Bond).

This works so well because Ellis doesn’t try to reinvent the wheel.  He tells a damn good Bond story, one that you could visualize as a movie.

Masters’ art is well chosen for this pairing.  It’s not flashy, but gets the job done.  Characters are clear and distinct.  Action sequences are clean and easy to follow.  It all works in the service of the narrative.

I know that Ellis doesn’t have a great track record of longer runs in recent years, but I would definitely like to read more of his take on Bond.