Wednesday, December 2, 2015

He's a Bad Man

David Walker, “Shaft Volume 1” (Dynamite, 2015)


There is, apparently, a whole body of Shaft books and movies.  I was only marginally aware of it, and had only watched the film.  So I can’t really comment on how Walker interacts with the vast majority of Shaft canon and lore.

This first volume of the comic is a prequel to the Shaft that I’m familiar with.  He’s not yet the bad man that we know from the movie and song.  He’s a guy home from Vietnam, getting into boxing and trying to find his way in the world.

Of course Shaft’s Harlem is a bad place, and you know that he’s going to get into conflict with the crooked people running things.

This is not so much a book about plot as one about mood and character.  It’s the hard boiled Shaft and the blaxploitational Harlem that he lives in.  It’s not that the plot is bad, but I found the enjoyment coming from how Shaft handled things, not questioning if he would or could handle things.

My only complaint about this volume is that the art at times underwhelms.  I had some problems keeping characters differentiated, action got muddy, and (paradoxically) it felt a bit too static and still.
But all in all, a solid entertaining read.  I’m looking forward to reading both more of this book, & more of Mr Walker’s work.

Wednesday, November 4, 2015

Accept The Mystery

Ales Kot, “Material Book One” (Image, 2015)


So here’s what happened:  I read my eARC (thanks Image & Netgalley!), and immediately went & ordered a physical copy of this book.  My brain had that oh so good scrambly feeling, and I knew that I wanted to read this again & again.

What is Material? There are various storylines, each dealing with a different contemporary issue.  There’s a jaded university professor who is confronted with an emerging Artificial Intelligence.  There’s a man who had been held captive in Guantanamo Bay, who is now back with his family.  There’s a young black man who runs afoul of the Chicago police. Finally there’s an actress working on a movie.

So we have technology, the abuses of power, and art.  Big, meaty themes that can be addressed.  Many questions are raised, but not answered.  The implication clearly is that we need to find our own answers.

Somewhat unusual is the inclusion of essays at the end of the trade.  The usual practice seems to be the exclusion of this sort of material from trades.  As someone who doesn’t read single issues, I have to say thank you!  I’d love for more books to do this.

This is a mature, thoughtful book that would be good for people who aren’t really into comics.  Everyone portrayed is a regular person.  Its strength is its engagement with reality.  While there is indeed a SFnal element in the AI, it is not so strong as to put someone off the book.