Brian Wood & Ming
Doyle “Mara” (Image, 2013)
Do you remember when Dr. Manhattan meditates on the human
condition? He has realized that he is
fundamentally different from humanity, and wonders where to go from there. That’s the central question of Mara.
At a young age Mara’s parents put her in a development camp,
where she has trained to be a volleyball player. Many years later she’s a star. It’s the classic case of someone with all the
material things, but none of the spiritual.
Her only human relationships are with her brother (deployed overseas in
the military) and her teammate and girlfriend.
For all that she has been given; it seems that just as much if not more
has been taken away.
When she suddenly develops superpowers she is ostracized and
exploited. Of course she is going to
wonder about how she relates to humanity.
Does she extract vengeance or does she show mercy?
Mara is a story
that is perhaps a bit deceptive in its apparent simplicity. The story and art are clear and
straightforward. But thematically Mara touches on the nature of
celebrity, militarism, sports, and ultimately on the value of forgiveness.
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