Patrick Weekes “The
Palace Job” (47north, 2013)
If you are writing a fantasy caper book in this decade, you
are clearly doing so in the shadow of Scott Lynch. There’s no shame in that – he’s one of the hottest
writers in the genre currently, and he writes exclusively in this
subgenre. So you are going to get
compared to him. With that being the
case, WHY would you ever name YOUR protagonist Loch?
Fortunately, names aside, there aren’t a lot of comparisons
to be made between the two characters or worlds. You have the name and the subgenre, but
really that’s about it.
The Palace Job is
about a woman who assembles a team to pull off a heist to steal some valuables
who are hers by right. There are as many
action movie tropes in play as heist tropes.
For example, the early part of the book is all about assembling the team
of specialists, where each team member is given a slightly highlighted segment
culminating in meeting Loch and being recruited for the team.
Weekes clearly understands some basics about the genre. The emphasis is on the plot – what is the
caper, what are the obstacles (expected and unexpected) – and the tone (consistently
light and humorous). It makes for an
easy breezy read.
Unfortunately Weekes seems to rely on the tropes so strongly
that he can be a bit underwhelming with regard to characterization or world
building. While the character
interactions are entertaining, they do tend to be somewhat interchangeable and
based on stock archetypes. Likewise the
world itself seems more reliant on a formula of cool idea + stock fantasy world
than I recommend.
While The Palace Job
starts strong, there’s clearly a point where its flaws catch up to it and it
becomes a real slog. Tone and action can
only carry a book so long. Eventually
the fact that we don’t care about the characters will catch up to it. Weekes has some great ideas here; they just
seem to get overshadowing by technical limitations. Hopefully his future works will be more solid.
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