Chuck
Eddy “Terminated for Reasons of Taste” (Duke University Press, 2016)
Quick confession time:
In what seems like a lifetime ago, I was one of those record store
guys. I was a buyer for a big record
store (one of the biggest), and I was a DJ waay back in the day of college
radio. So I know a lot about music that
not many people have actually heard.
I first encountered Chuck Eddy’s writing as I lurked around
on ilxor.com (an old school message board that caters to music writers &
high level record nerds). In fact
portions of this book are reworked from some of his posts there.
Here’s the deal with Eddy:
our aesthetics do not overlap.
Off the top of my head I really can’t think of just about any contemporary
music that we both like. And that’s
OK. I still enjoy reading his thoughts
on music. That’s the sign of a great
music writer – is it enjoyable if you disagree with his taste?
His approach is in many ways similar to Chuck
Klosterman. There’s a championing of
commercial music from Middle America.
If you are a fan of this stuff, or simply a contrarian, you should check
this out. You’ll have food for late
night arguments for years to come.
Don’t be mistaken & think that I am saying that only
those people should read this book. Eddy
is a major figure in contemporary music criticism, & needs to be read by
anyone seriously interested in the subject. Just don’t make me listen to early
Styx albums.
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