Daryl Gregory “We Are
All Completely Fine” (Tachyon Publications, 2014)
What happens after the final reel of the horror film has
played out? The monster has been killed
for the final time. The police and
ambulances have come & gone. What
happens to the survivor?
We Are All Completely
Fine is all about the survivors.
Years after their respective stories, the lone survivors meet in group
therapy. PTSD is perhaps the least of
their problems. We have Stan, who
survived a cannibalistic family (a la Texas Chainsaw Massacre), Martin who
insists on wearing glasses that allow him to see the monsters (They Live),
Barbara who was mutilated by a fetishistic killer (basically every serial killer
movie ever), Harrison the former teen monster killer (maybe 80s vampire movies
or a gender flipped Buffy), and Greta who wears long black clothing to cover
the intricate scars that cover her body.
At this point a less talented writer would have probably
told the obvious story. It would have been
an anthology style story where we learn the backstory for each person. Perhaps at the end we’d find them all facing
a threat – maybe the therapist?—that they would need to work together to
overcome.
Fortunately Daryl Gregory has some chops and a great
imagination. In a sense all of that
happens. But not at all like this. Gregory does tell us the backstories, but
they are not told like horror stories.
The intent is not to provide the reader with scares. Rather the horrific stories are told in the
service of character and voice. And
tonally, he writes not like a horror writer at all. The tone is light and humorous. This keeps the story from getting drug into
some sort of torture porn. The pages fly
by and the story is over before you realize it.
Perhaps surprisingly, We Are All Completely Fine is outrageously
entertaining. My only complaint is that
it is just a novella. I could have
easily read a longer work in this world.
An excerpt can be read at Tor.com.
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