George RR Martin
& Gardner Dozois “Dangerous Women”
(Tor Books, 2013)
Despite the title, there’s a very loose theme to Dangerous Women. In fact, after reading these collected
stories, I’m not exactly sure what their criteria for selection actually
was. Please don’t take my point
wrong. I’m not complaining. If anything, the rather nebulous concept
makes for varied reading. There are many
types of female characters in these stories.
Perhaps even better, there are many types of stories. Sword and Sorcery, Epic Fantasy, SF,
Historical Fiction, Urban Fantasy, Mystery… Martin and Dozois cast a wide net
and got a wonderful rich array of material.
The most attention has been given to the George RR Martin
novella “The Princess and the Queen”, which details the history of an
intra-Targaryan civil war. As excited as I was to read this, I was not blown
away. Martin’s approach is to tell the
story of the first Dance of Dragons as a history text. While it is certainly informational, without
the character work that is so build into the framework of ASOFAI, it lacks the
connection –at least with this reader—that makes the series so addictive.
Fortunately all is not lost.
There are plenty of other wonderful pieces to delight almost any genre
reader. Joe Abercrombie’s “Some
Desperado” is a tense tale featuring Shy from Red Country. Megan Abbott’s “My Heart is Either Broken” is a
disturbing bit of noir. Joe R Lansdale’s
“Wrestling Jesus” is both touching and exceptionally creepy as you try to
determine if the magic is actually real.
Brandon Sanderson’s “Shadows For Silence in the Forests of Hell” is a
long piece that features wonderful world building (as you might expect from
Sanderson). Lev Grossman’s “The Girl in
the Mirror” is set in an American Hogwarts that is more disturbing that any nose
less antagonist. Megan Lindholm (Robin
Hobb)’s “Neighbors” is set in the suburbs, and again blurs the line between
fantasy and reality.
So yeah, there are plenty of great stories in this
collection. It really does the anthology
a disservice to think of it as solely a vehicle for a Westeros Novella. Dangerous
Women is so much more than that.
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